Embodied Sensing or Divination by Camera
Environmental change has made itself abundantly present, the screening suggests. The earth and its damaged constituents as mediated by the camera, are inherently rich with commentaries, obscure meanings, and mythologies, from both present and the past. Scenes of submerged coastlines, extracted indigenous territories, synthetic cornfields form one half of the narrative. The other, of humanity’s ability to exist and make sense of the changes thrust upon it. Spurred by a wish to capture in visual frames, these scenes strive to represent struggles that perhaps cannot be sensed and damages that cannot be undone.
