I consider documentary fieldwork and filming as a space and time in between. By in between, I mean the combination of certain characteristics that make the space and time of documentary fieldwork both part of everyday life and at the same time removed from it. Before a documentary film becomes representation (something about the world) it is an event (something that happens in the world) In other words, before a documentary film becomes a product that can travel around the screens, it is a creative and social process rooted in the place and time where it happens. Documentary filming is a lived time as well as an imagined, speculative and desired one.